-American fashion designer
-celebrated for his avant-garde and subversive eye
-shows in New York and Paris
-look has been described as glamour meets grunge
-very monochrome colour palette
http://www.rickowens.eu/
Friday, 4 February 2011
Martin Margiela
-Belgian fashion designer
-some consider him to be the 7th member of the Antwerp Six
-worked for Jean Paul Gaultier
-became the creative director of Hermes women's line
-never makes an appearance after his shows
-redesigns by hand objects such as wigs, canvases and silk scarves
-some consider him to be the 7th member of the Antwerp Six
-worked for Jean Paul Gaultier
-became the creative director of Hermes women's line
-never makes an appearance after his shows
-redesigns by hand objects such as wigs, canvases and silk scarves
Gareth Pugh
-English fashion designer
-Worked as costume designer for national youth theatre at 14
-studied at St Martins
-interned with Rick Owens in Paris
-many A-List celebs have had clothes designed by Pugh
-hard edged, super structured looks
http://www.garethpugh.net/
-Worked as costume designer for national youth theatre at 14
-studied at St Martins
-interned with Rick Owens in Paris
-many A-List celebs have had clothes designed by Pugh
-hard edged, super structured looks
http://www.garethpugh.net/
Jean Muir
-English fashion design (preferred dress maker)
-designer for Jaeger
-designs were aimed at women with a mature outlook
-focused on modern, restrained elegance
-was a perfectionist about colours
http://www.jeanmuir.info/
-designer for Jaeger
-designs were aimed at women with a mature outlook
-focused on modern, restrained elegance
-was a perfectionist about colours
http://www.jeanmuir.info/
Ann Demeulemeester
-Belgian fashion designer
-shows in Paris
-one part of the famous 'Antwerp Six'
-shows always start with a passage in black
-men and women
"I always start from an emotional place"
http://www.anndemeulemeester.be/
John Galliano
-Gibraltarian
-attended St. Martins
-British designer of the year 1987, 1994, 1995 & 97 (shared with McQueen)
-graduate collection inspired by French Revolution.. bought and sold in Browns.
-designed costumes for Kylie Minogue tour
-designed for Givenchy
-designs for Dior
-inspired by the theatre and femininity
http://www.johngalliano.com/
-attended St. Martins
-British designer of the year 1987, 1994, 1995 & 97 (shared with McQueen)
-graduate collection inspired by French Revolution.. bought and sold in Browns.
-designed costumes for Kylie Minogue tour
-designed for Givenchy
-designs for Dior
-inspired by the theatre and femininity
http://www.johngalliano.com/
Marc Jacobs
-American fashion designer
-creative director for Louis Vuitton
-a prominent fixture in the NYC celebrity scene (US version of Henry Holland?)
-design student of the year at 'Parsons'
-trend-setting vision
"what I prefer is that even if someone feels hedonistic, they don't look it. Curiosity about sex is much more interesting to me than domination. ... My clothes are not hot. Never. Never."
http://www.marcjacobs.com/
-creative director for Louis Vuitton
-a prominent fixture in the NYC celebrity scene (US version of Henry Holland?)
-design student of the year at 'Parsons'
-trend-setting vision
"what I prefer is that even if someone feels hedonistic, they don't look it. Curiosity about sex is much more interesting to me than domination. ... My clothes are not hot. Never. Never."
http://www.marcjacobs.com/
Hussein Chalayan
-went to Central St. Martins.
-graduate collection titled 'The Tangent Flows' contained clothes which he had buried in his back yard and dug up again.
-whole collection was purchased and sold in Browns.
-designed for M&S
-British designer of the year 1999 & 2000
-clothing is more than just a garment
-innovative use of materials
-progressive attitude to new technology
http://www.husseinchalayan.com/
-graduate collection titled 'The Tangent Flows' contained clothes which he had buried in his back yard and dug up again.
-whole collection was purchased and sold in Browns.
-designed for M&S
-British designer of the year 1999 & 2000
-clothing is more than just a garment
-innovative use of materials
-progressive attitude to new technology
http://www.husseinchalayan.com/
Thursday, 3 February 2011
Nicholas Ghesquiere
-French designer
-was an assistant to Jean Paul Gaultier
-creative director for Balenciaga
-completely turned Balenciaga around
-ineffably cool and cutting edge designs
-has the ability to feel and shape fashion
-was called "fashion's most sought after and influential figure" (american vogue)
http://www.balenciaga.com/
-was an assistant to Jean Paul Gaultier
-creative director for Balenciaga
-completely turned Balenciaga around
-ineffably cool and cutting edge designs
-has the ability to feel and shape fashion
-was called "fashion's most sought after and influential figure" (american vogue)
http://www.balenciaga.com/
Issey Miyake
-Japanese fashion designer
-first asian designer to gain renown worldwide
-technology driven designs
-created a new technique called garment pleating
-mens and womens
-studied haute couture in Paris
"design is not for philosophy, it is for life"
http://www.isseymiyake.com/
-first asian designer to gain renown worldwide
-technology driven designs
-created a new technique called garment pleating
-mens and womens
-studied haute couture in Paris
"design is not for philosophy, it is for life"
http://www.isseymiyake.com/
Undercover
-Japanese street wear brand
-founded by Jun Takahashi
-been branded the 'essence of Japanese cool'
-finely crafted clothing peices: strange but beautiful
-references to punk
-incredibly influenced by the sex pistols
-feminine cuts and colour printing
-founded by Jun Takahashi
-been branded the 'essence of Japanese cool'
-finely crafted clothing peices: strange but beautiful
-references to punk
-incredibly influenced by the sex pistols
-feminine cuts and colour printing
Rei Kawakubo & Comme des Garcons
-Japanese fashion designer
-founder of Comme des Garcons
-studied fine arts, was never trained as a fashion designer
-started with womens but added mens soon after
-shows in Paris
-Comme des garcons specialises in anti-fashion, austere and deconstructed garments
-challenged established beauty
guest designed fro H&M
" I am not conscious of any intellectual approach as such. My approach is simple. It is nothing other than what I am thinking at the time I make each piece of clothing, whether I think it is strong and beautiful. The result is something that other people decide"
http://www.comme-des-garcons.com/
-founder of Comme des Garcons
-studied fine arts, was never trained as a fashion designer
-started with womens but added mens soon after
-shows in Paris
-Comme des garcons specialises in anti-fashion, austere and deconstructed garments
-challenged established beauty
guest designed fro H&M
" I am not conscious of any intellectual approach as such. My approach is simple. It is nothing other than what I am thinking at the time I make each piece of clothing, whether I think it is strong and beautiful. The result is something that other people decide"
http://www.comme-des-garcons.com/
Yohji Yamamoto
-born in Tokyo
-Debuted in Paris 1981
-both men and women
-known for avant garde spirit in his clothing
-designs often have nothing to do with current trends
-textures, drapery, over sized black silhouettes
-fabric is always the foundation of his design
-always questions fashion - wants timeless elegance
"I hate fashion"
http://www.yohjiyamamoto.co.jp
-Debuted in Paris 1981
-both men and women
-known for avant garde spirit in his clothing
-designs often have nothing to do with current trends
-textures, drapery, over sized black silhouettes
-fabric is always the foundation of his design
-always questions fashion - wants timeless elegance
"I hate fashion"
http://www.yohjiyamamoto.co.jp
Raf Simons
-Belgian designer
-Worked for Margiela & Gaultier
-started with menswear
-influenced by youth culture
-combines strongly cut classic menswear with baggy street wear.
-Shows in Paris
-runway shows with a difference.. models running down street
-collaborated with Fred Perry
-was creative director for Jil Sander (the working woman)
-reluctant to appear on stage at end of shows
"I dont want to show clothes, i want to show my attitude, my past, my present, my future. I use memories and future visions and try to place them in todays world."
Possibly the top menswear designer working today.
http://www.rafsimons.com/
-Worked for Margiela & Gaultier
-started with menswear
-influenced by youth culture
-combines strongly cut classic menswear with baggy street wear.
-Shows in Paris
-runway shows with a difference.. models running down street
-collaborated with Fred Perry
-was creative director for Jil Sander (the working woman)
-reluctant to appear on stage at end of shows
"I dont want to show clothes, i want to show my attitude, my past, my present, my future. I use memories and future visions and try to place them in todays world."
Possibly the top menswear designer working today.
http://www.rafsimons.com/
Tuesday, 14 December 2010
Sub Cultures
I am finding all of these sub cultures very similar and i think that the whole idea of subcultures has changed a lot especially in this decade. People are so much more individual these days and they experiment with style more. There isn't so much typical 'groups' of people dressing the same with the same music and lifestyle interests. People can style have 'looks' but they are more mixtures of different looks put together. I think it is still more of an american thing to have the different sub cultures and even there the cliques are becoming more and more disperse, well the ones i know in the places I have visited. I am going to keep researching into this idea of sub culture as i dont really like the ons listed and dont feel i want to continue to research them.
Ravers
A party goer
I see neon sticks/ glow sticks
Dots on the faces
Thumping music
Anyone can be a raver nowadays
I think it differed in the past
I see neon sticks/ glow sticks
Dots on the faces
Thumping music
Anyone can be a raver nowadays
I think it differed in the past
Sloanes
-stereotype in the UK of young, upper class or upper-middle-class women or men who share distinctive and common lifestyle traits.
-possibly came from people who hang around Sloane Sq?
-possibly came from people who hang around Sloane Sq?
Club kids
New York City club personalities mostly led by Michael Alig and James St. James in the late 1980s and early 1990s.
This group was notable for their outrageous costumes and extensive drug use—in particular, ecstasy, ketamine, cocaine and heroin, although preferences ranged. Some were even assigned names and personas by Alig himself.
All these sub cultures seem to have the same sort of issues with trying to stand out/ be different/ drugs etc!
This group was notable for their outrageous costumes and extensive drug use—in particular, ecstasy, ketamine, cocaine and heroin, although preferences ranged. Some were even assigned names and personas by Alig himself.
All these sub cultures seem to have the same sort of issues with trying to stand out/ be different/ drugs etc!
No Wave
It tried to clarify the differences between the various categories of music too often confused or wrongly treated.
A key contribution is given precisely by the Arts, starting by comics, which in their designs and in the plot of theirs stories, try to give an image and translate on paper the ideology and aesthetic of this musical and cultural movement at the same time.
True manifesto of the New Wave can be considered the work of James O'Barr, The Crow, in which the author, fascinated by the richness and lyrism of the work by groups like The Cure and Joy Division, creates a deep and complex character, a romantic and gothic story at the same time, a melancholic atmosphere in which love is so strong that it can win even death. All this is made not only through the development of story, but from sketching design, the use of color (white and black), which can to project magically in a dream and spectral atmosphere.
A key contribution is given precisely by the Arts, starting by comics, which in their designs and in the plot of theirs stories, try to give an image and translate on paper the ideology and aesthetic of this musical and cultural movement at the same time.
True manifesto of the New Wave can be considered the work of James O'Barr, The Crow, in which the author, fascinated by the richness and lyrism of the work by groups like The Cure and Joy Division, creates a deep and complex character, a romantic and gothic story at the same time, a melancholic atmosphere in which love is so strong that it can win even death. All this is made not only through the development of story, but from sketching design, the use of color (white and black), which can to project magically in a dream and spectral atmosphere.
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